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Fortunately, handy tooltips aid in acquainting yourself with the program. The transport area holds more functions than any other DAW I've come across. Once you've opened aВ session in Mixbus, you're greeted by aВ window that should look pretty familiar to users of other DAWs: tracks going down the left side, transport on top, and loads of buttons and switches to call up different functions. This is aВ very enticing feature, since it allows users to continue using their current DAW, yet have their tracks mixed in Mixbus. The other added benefit of using Jack is that if you want to use just the mixing element of Mixbus, it will allow you to run the output of your favourite DAW tracks into Mixbus. Setting up Jack is pretty straightforward and, besides allowing you to use Mixbus, it also enables other cool routing options, such as piping the output of iTunes into your DAW. Jack recognises any Core Audio interface, and has aВ simple workaround for use with the internal Mac soundcard.

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Jack is aВ separate, free application that enables simple to complex routing of audio inside your Mac. To get started in Mixbus, you first need to set up Jack Pilot. With that kind of credibility, you have to take notice when they claim to have created aВ virtual mixer based on their 32вЂ‘series and MRвЂ‘series consoles, especially when it's being offered at an introductory price of $79.

In case the name Harrison is not familiar, to you, they are best known for the topвЂ‘end, largeвЂ‘format consoles used to mix all your favourite films, as well as aВ little collection of toeвЂ‘tappers called Michael Jackson's Thriller. Many of the features described in this review are, of course, common to Ardour and Mixbus, but for the sake of simplicity I'll refer to Mixbus throughout.

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Mixbus itself is thus not openвЂ‘source, as the mixer uses proprietary code developed by Harrison Consoles. Broadly speaking, it combines the existing Ardour recording and mixing functionality with aВ custom mixer.

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Mixbus is aВ customised Mac OS X version of the openвЂ‘source program Ardour (which, unlike Mixbus, is also available for the Linux platform). |t was with this notion in mind that the makers of Mixbus set out to create aВ new DAW that, while not reinventing the wheel, improves in areas where others fall short and offers something no other DAW can boast: aВ millionвЂ‘dollar mixer. Just about every music production professional, amateur and even dilettante is already committed to one of the current crop of major digital audio workstations, and so fully entrenched in its eccentricities that switching to another is probably not aВ viable consideration.

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Note the red gainвЂ‘reduction meters of the compressor.Дoes the pro audio market need another digital audio workstation program? Harrison Consoles and Ardour believe the answer is 'yes'. Easy access to EQ and compressor controls is one of its strengths. The studer deck is great also.Here you can see I'm using Mixbus as the mixer for my Logic session, aВ great way to get your feet wet with the new program. They are truly authentic, but a little pricey.

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IвЂ™m only asking because I had a great analog board but now I dont becuase my home caught on fire last year & I lost everything & my wife & I had only been back into our home for about 4months now & IвЂ™m trying to get back to that analog sound with plug-ins/softwareвЂ¦ So with so many software out now that emulates or suppose to emulate that nice warm gritty analog sound itвЂ™s hard to figure out what is actually goodвЂ¦ДЄnother great option is using UAD Harrison plugs. So it is safe to say that the MixBus is not needed when you can get close to the same sound/mix using either Slat Digital or maybe even Waves NLS plug-ins? I find a very similar sound with Slate Digital plugins In this way you have three technologies in a same DAW: Harrison, Ardour and Jackpilot, and three sources of conflict.

I like Harrison Mixbus sound engine but I donВґt like ardour, the host DAW where Harrison installed its analog digital modeled sound engine.

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